As CG (computer graphics) is practically everywhere these days, there comes a question: are we taking it for granted?
Therefore, we sat down with Sophon Seangkaew, a senior 3D and VFX artist at DIGIPOST, asking him to share what he thinks people are likely missing about CG.
Hereâ€™s the reason why you need to hire a professional colorist to grade your works
Since â€œO Brother, Where Art Thou?â€ was released in 2000 and became the first feature film to get fully digital color grading, color grading techniques have gone through a huge evolution.
The first time I came to Nick’s office, it was for the interview.
In a not so big and gloomy room, there were only two giant monitors, a few wall pictures and a small sofa. It looked minimalist and quite lonely. But, the man, who welcomed me with a bright smile, looked so comfortable and happy in it.
As soon as we sat down for the interview, I couldn’t help but ask him right away the question that had bothered me, since I first read his brief profile on DIGIPOST’s website.
“How come an English Literature major from a UK college ended up being a senior editor at a post house in Vietnam?”
“By chance,” Nick said, smiling.
“I first became interested in editing films, when shooting and editing a fashion film for my friend,” he said. “I had previously edited a lot of behind-the-scene videos. But, it was not until then had I realized how fascinating it was to shape a story.”
“I felt so free. While there were rules to follow, I could follow my feelings as well,” Nick said.
He then started freelancing. And, like most of people in the post-production industry, where the hierarchy was strongly integrated, he started with small projects such as music videos and short films, and low positions.
But, it is never easy to do a good job. It is even harder to do a good job as a professional.
Working around tight deadlines, Nick spent countless hours a day sitting in front of monitors. He had to go through hours-long footage and a lot of related materials to find a good story to tell, sometimes just within just 15-30 seconds.
“It took a lot of my personal time, but I wouldn’t change it,” he said. “I know that the harder I work, the better the outcome will be. And I love to know that I am doing a good job.”
His hard work and patience over years were finally paid off, when his expertise started bringing him jobs with big clients such as Adidas, Comedy Central, Future Cinema, Marks & Spencer, and MTV Networks.
Nick spent about 8 years working as a freelance editor in London, before coming to Vietnam and working at DIGIPOST through a friend’s recommendation.
A senior editor now, he has never stopped learning, from other professionals, from books and from films. In fact, since he started working as an editor, the only training Nick has ever taken was advice from more experienced professionals.
“Passion asides, a good editor must have broad understanding about the world around him. Failing to do that, you’ll fall behind,” Nick said. “The more you know, the better you can shape a story. You need to know what you are talking about.”
Although the job demands lots of work and time, Nick said he felt “lucky” to be able to do it.
“Editing is an artistic creative job. I would never exchange that feeling of accomplishment when seeing how ideas on paper develop into something lively and knowing that I am a part of that process, for anything else.”
Director Luong Dinh Dung recently told local media that he sent his highly-anticipated movie â€œCha cong conâ€ (Father and Son) to South Korea for post-production. He said most of local directors had their works posted overseas, since post-production technologies in Vietnam are not comparable to other regional countries.
Since the dawning of time, people have been telling each other stories. Stories surround us everyday, from the films and television that we watch, to the books that we read, the photographs that we see and the music that Read more